This year I hit SXSW hard, penning pieces for CBR, Screen Rant, The Playlist and Pajiba. I'll be posting them here as they publish.
REVIEWS
Atomic Blonde: Audiences will be helpless but to bow down, as Atomic Blonde has come to take your breathe away, and leave you giddy, gasping for more.
Baby Driver: Tapping less into emotions and more into adrenaline and wonder, it's more style than substance, but oh, what style!
Colossal: Colossal is a film so strange it's very existence seems a miracle.
Dear White People: Simien uses the movie as prologue to a show that better develops and explores his themes, relishing in the complexities, contradictions, joys and frustrations of the black experience.
The Disaster Artist: Franco wants to have his cake and eat it too, openly mocking Wiseau for his weirdness, then heralding him for his persistence and ability to embrace The Room's reputation.
Free Fire: "a fearless and sharp shoot ’em up, loaded with star power, and polished with gallows humor."
May It Last: plays more like a puff piece than a concert doc, never digging to discover the hard sacrifice to this hectic touring schedule, the dirt beneath the fingernails of such work.
Most Beautiful Island: The story Asensio spins is delicate and threatening, like a spider’s web. The suspense woven through the third act is nauseating, and a bit sublime.
Muppet Guys Talking: boasts an easy vibrancy and radiant joy in this conversation that we feel lucky to be the fly on its wall.
Free Fire: "a fearless and sharp shoot ’em up, loaded with star power, and polished with gallows humor."
May It Last: plays more like a puff piece than a concert doc, never digging to discover the hard sacrifice to this hectic touring schedule, the dirt beneath the fingernails of such work.
Most Beautiful Island: The story Asensio spins is delicate and threatening, like a spider’s web. The suspense woven through the third act is nauseating, and a bit sublime.
Muppet Guys Talking: boasts an easy vibrancy and radiant joy in this conversation that we feel lucky to be the fly on its wall.
Prevenge: Lowe has made a spectacular directorial debut in a film that is defiant, disturbing, and darkly hilarious.
Small Crimes: Drained of humor - dark or otherwise - this crime thriller becomes one note, and that note is bleak.
Tragedy Girls: Watch your back Heathers, because Tragedy Girls is coming to snatch your crown.
Win It All: might be Swanberg's most accessible film yet. The awkwardness and improvised feel often associated with mumblecore is passed over for a tone and dialogue style that's more polished, but no less impactful.
INTERVIEWS
Free Fall: Ben Wheatley, Sharlto Copley, and Armie Hammer
Muppet Guys Talking: Frank Oz, Dave Goelz, Fran Brill and Bill Barretta
Alien: Covenant: Ridley Scott, Katherine Waterston and Danny McBride
Baby Driver: Edgar Wright
Colossal: Nacho Vigalondo, in four parts: dream projects, spoil-free, spoiler-heavy, and super spoiler heavy. Plus a discussion about that feminist twist!
Baby Driver: Edgar Wright
Colossal: Nacho Vigalondo, in four parts: dream projects, spoil-free, spoiler-heavy, and super spoiler heavy. Plus a discussion about that feminist twist!
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